Frank Tuttle DON JUAN QUILLIGAN TWO-FACED QUILLIGAN Original screenplay #148705

Description

Don Juan Quilligan [Two-Faced Quilligan] (Original screenplay for the 1945 film)
Author:
Frank Tuttle (director); Herbert Clyde Lewis (story); Arthur Kober, Frank Gabrielson (screenwriter); William Bendix, Joan Blondell, Phil Silvers (starring)
Title:
Don Juan Quilligan [Two-Faced Quilligan] (Original screenplay for the 1945 film)
Publication:
Los Angeles: Twentieth Century-Fox, 1944
Description:
Shooting Final Draft script for the 1945 film, here under the working title "Two-Faced Quilligan." Production No. 911 and copy No. 6 rubber stamped on the front wrapper, with SHOOTING FINAL printed at the top right corner of same. Single annotation in the script, in holograph pencil, noting three names, on the verso of last leaf.
Patrick Michael Quilligan (William Bendix), captain of a barge named Mary (named after his mother), meets and falls for two women (Joan Blondell and Mary Treen) who remind him of his beloved deceased mother, inadvertently marrying both.
Set in Brooklyn and Utica, New York.
Brown titled wrappers, noted as SHOOTING FINAL on the front wrapper, rubber-stamped copy No. 6 and production No. 911, dated DECEMBER 21, 1944. Distribution page present, with receipt intact. Title page present, dated December 21, 1944, noted as Shooting Final, with credits for screenwriter Arthur Kober. 127 leaves, with last page of text numbered 125. Mimeograph duplication, rectos only, with blue revision pages throughout, dated variously between 1/2/45 and 2/28/45. Pages Near Fine, wrapper Very Good plus with large chip on right edge of front wrapper, bound internally with two gold brads.
Seller ID:
148705
Subject:
1940s Cinema, Comedy, Film Scripts, Maritime Interest, New York, Romance
Royal Books
Baltimore, MD
Royal Books is located in the midtown area of Baltimore, Maryland. Since 1996, we have specialized in rare books and paper relating to twentieth century literature, genre fiction, the arts, and popular culture, with a particular emphasis on cinema.
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